Wednesday, April 13, 2011

Choose Your Own Assignment

Hi Everyone,

I found this essay in Brevity. I like it because I believe it says a lot with very little. Enjoy.

Duplex

By Danny Goodman

The person on my voicemail was a man. His voice was high, higher than most men’s voices I’d heard before, and he spoke slowly, as if reading off of cue cards. I didn’t know when the call came in. My cell phone never rang. Rather, in that late morning, the phone vibrated, informing me of an awaiting message. A voicemail.

He started: “Hello? I think this is your number. I hope it is.”

I was in the kitchen, looking out over my small garden. The weather in Park Slope had turned cold, with the temperature dropping thirty degrees overnight. It was an unusually bitter autumn. Charlie, my black Labrador, played in the snowy backyard, barking at a neighborhood tabby. My wife, Samantha, was at work, and I had grown accustomed to having the house to myself during the day. In the evenings I worked as an editor, and I imagined Samantha, too, valued the undisturbed time. I pressed the phone against my ear.

He said: “I’ve been wanting to call.”

A crash came from outside. I opened the backdoor to find earth and terracotta spread from fence to door. Charlie stared up at me, tail wagging and mouth open. He looked like he was smiling. His thin legs trembled in the snow. I turned and pointed into the house; I made my stern face. Charlie ran past, nails clicking against the hardwood floor. I shut the door and began the voicemail again. The second sentence struck me this time—whose number did he think this was? The greeting lacked my voice, telling callers in a robotic, female voice that they had reached this number and to please leave a message. The caller, it seemed, thought the number was correct.

He said: “I’m not really sure what to say, though. It’s been a long time. I hope you’re well.”

The man didn’t say his name. This meant, I assumed, that the intended recipient of the message should recognize his high, almost shrill voice. A pause came, and I heard clanking in the background, repetitive and echoey, like the ping of a baseball against an aluminum bat. I didn’t know what this meant. I imagined a college baseball player, tall and sinewy, sneaking away from batting practice long enough to call. Twelve seconds of ambient sound filled the line.

He said: “You should call me sometime. My number hasn’t changed.”

Our small Brooklyn house was a duplex. I walked upstairs, phone still pressed to my ear, to begin my day; my desk was there, mostly due to the unspoiled light that poured in through the large bedroom windows. I spent mornings and afternoons writing and storyboarding and staring out those windows at the South Slope. The neighborhood was middle class and largely Hispanic, a stark contrast to those living in the multi-million-dollar brownstones just a few blocks north. The buildings and residents hadn’t changed in years, leaving the area one of the few pockets of the city, at the time, to remain. I sat down and turned on my computer. The neighbor’s children, Edgar and Lola, played hide-and-seek on 21st Street. I liked that little had changed over the years.

He said: “I’m going to be in the city next month. So. I don’t know. But I’ll be there.”

For a moment, I wanted to call him back. I wanted to know who he was. Who he wanted on the other end. What would happen when the voice on the voicemail was gone? Would he be gone? If I deleted the message, switched off the phone, would the man on the other end cease to exist?

He said: “This—I wish I knew the right things to say, but I don’t. I miss you, Samantha. I still love you and I need to see you. Please.”

The click of the line going dead, of the message ending, rattled in my head, like everything else had been scooped out. I folded the cell phone and placed it on the desk. Things that were supposed to be permanent felt inconstant. The children outside laughed and called out words in Spanish that I could not understand. I opened a blank document and hoped writing would be a distraction. The screen was white and I felt sick. Downstairs, at the back door, Charlie scratched to go outside. The tabby meowed. They carried on in this way, teasing one another.

7 comments:

  1. Whoa. This is a really touching piece, and you're right, Patrick, to point out that it says a lot with very little. I view this less as telling a story from start to finish, and more as an exercise in isolating a moment within a larger story. Perhaps that's a larger story about this high-pitched voice man, or about the writer, or about the writer's dog. Regardless, the focus here is incredible. The writer strikes a beautiful balance between writing vivid sensory descriptions of the space he occupies during this moment without distracting me from the main problem of his story. I think I often go the other route in my writing, so I found reading this to be extremely useful.

    Thanks for a great find, Patrick.

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  2. It does feel like what's here could be part of a larger story, or maybe put into the context of another, longer story as an anecdote, but as an isolation of a moment it works. I'm not a huge fan of the title, but the writer's ability to convey so much in such a reduced amount of words is admirable.

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  3. Jesus! What a cliffhanger! I feel so on edge right now and I want to know what the author of this piece is planning to do!? Although, as I think about it, the ending is very appropriate for the situation. After all, it doesn't even seem like the author knows exactly what it is he should be doing or if he should do anything. I agree that this conveys quite a bit within a small space and I do like the image od the duplex. It made me think about having another person (or people) pressed up next to you and whether or not you choose to ignore them or confront them or learn to live with them kind of parallels the idea of Samantha's ex-lover (I assume ex because what the caller said) and the author's relationship to him.

    I really enjoyed this and agree that it was a great find.

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  4. I really liked the back and forth between the sensory descriptions and the man's voice. Each was gripping and played off of each other well. The tension built well through out the piece as more and more information came about the man on the other end of the call. I felt the ending a little anticlimactic, and didn't wrap up as nicely as I'd hoped. For me, there was a bit of a disconnect between the call and what was going on in the scene. I agree with John that it works well at capturing a single moment. I think this served as good narrative thought because in many ways it is indistinguishable from fiction. If I had been told it was fiction then I would have just rolled with it.

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  5. I agree with Jordan that the tension of the voicemail did not match the tension in the author's life. I think the piece could be even stronger if the author connected his struggle with the stranger's voice and his personal life; perhaps there is an issue confronting him, a decision that he must make, that can be dramatized through his conflicting ideas of what to do with the phone call.

    The dialogue (if that's what you want to call it) in this piece was captivating. It seems rather serendipitous for the writer to get so intense of a voicemail message, though I have been having a similar thing happen with a Spanish speaking woman for a few weeks now. This story really made me think about what Lauren said, the ways in which strangers butt up against our lives in unexpected ways.

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  6. Whoa! I really liked this piece. It captures such a short period of time, I mean how long is a voicemail like 30 seconds? It's very tight and compact in its description and you learn so much in between the messages. It's interesting to see the writers' connection he feels to this man he doesn't know on the other line, like he is worried about him. But it turns out that this man knows and still loves his wife.

    I agree with Lauren that I want to know more at the end but that it the ending fits the story because the narrator probably doesn't know what to do after he realizes that voice mail is for his wife. Who is this man and why is he calling his wife? Is he someone she has kept secret from him on purpose? A lot of questions are hanging in that moment.

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  7. Despite the fact that, as Kristin pointed out, a voicemail lasts for a brief moment, I really enjoyed the dissection of it and how it told a bigger story. The story seems like a perfect fit for the site you pulled it from and it definitely leaves me wanting more!

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